After finishing Magpie Murders, it may be a while before I want to read a straight-up whodunit. Anthony Horowitz’s novel puts a fiendishly clever postmodern spin on the traditional mystery format; as a theater fan, I was reminded of musicals like The Drowsy Chaperone and Urinetown, which play with well-worn tropes while also building on them.
The brief opening chapter of Magpie introduces us to Susan Ryeland, an editor at Cloverleaf Books, whose marquee author is the mega-best-selling crime writer Alan Conway. His latest Atticus Pünd mystery, Susan tells us, “changed my life… as I reached out and turned the first page of the typescript, I had no idea of the journey I was about to begin and, quite frankly, I wish I’d never allowed myself to get pulled on board.”
Then the reader is given a couple hundred pages of Magpie Murders, the book-within-a-book, which is a rather traditional English village mystery featuring Pünd in the Hercule Poirot role of genius detective. However, the last pages of the book are missing. Susan’s quest to find them requires her to solve a “real-life” murder mystery, but unfortunately, she doesn’t possess Pünd’s considerable deductive powers, so she has to muddle along the best she can.
Along the way, there are some hilariously pointed observations about whodunits, like this one: “It’s strange when you think about it,” Susan muses. “There are hundreds and hundreds of murders in books and television. It would be hard for narrative fiction to survive without them. And yet there are almost none in real life, unless you happen to live in the wrong area. Why is it that we have such a need for murder mystery and what is it that attracts us—the crime or the solution? Do we have some primal need of bloodshed because our own lives are so safe, so comfortable? I made a mental note to check out Alan’s sales figures in San Pedro Sula in Honduras (the murder capital of the world). It might be that they didn’t read him at all.”
Magpie Murders is about 500 pages long, but thanks to its structure and Horowitz’s breezy writing style, it flies by. In the end, both mysteries are solved in a most satisfying manner, making this book doubly delightful.