Each year when the Edgar Award nominations are announced, I quickly skim the list to see which of this year’s nominees I’ve read. Usually, there are at least a few. This year, however, I had not read any of the six Best Novel nominees, and I was only familiar with one of the nominated authors (Walter Mosley). My friend Janet, who reads even more mysteries than I do, was in the same boat, so we decided we should read them and see what we were missing out on.
The interesting thing about the Edgars is that they are the only mystery award where the nominees and winners are chosen by a panel of peers. The other awards are basically all popularity contests. But for the Edgars, each year, a small panel is selected to judge each award (Best Novel, Best First Novel, Best Fact Crime, etc.), and those folks have to read every single book that is submitted to them. The people on these committees are anonymous (and sign non-disclosure agreements), but they are all active status members of the MWA (Mystery Writers of America). I have known plenty of writers who have served as Edgar judges over the years, and the amount of work they put in is almost overwhelming.
Many years ago, I had the honor of visiting the late Barbara Mertz (better known by her pen name, Elizabeth Peters) at her Maryland home. She was in the midst of her year as an Edgars judge, and there were piles of books everywhere. I asked her how she could possibly read so many books, and she told me that she could generally tell 2-3 chapters in whether or not a novel would be worth reading all the way through.
The first of the Edgar nominees I picked up was Deanna Raybourn’s A Treacherous Curse, third in her Veronica Speedwell series of historical mysteries. After reading the first couple of chapters, not only did I want to keep going, but I realized that I wanted to start at the beginning of the series. There was obviously a ton of backstory there, and while it was smoothly laid out for the first-timer, I had the luxury of not being obligated to plow through stacks and stacks of books by a certain deadline, so I could delve into A Curious Beginning and A Perilous Undertaking.
One of the reasons I mentioned Elizabeth Peters above is that Veronica Speedwell is a true heir to Peters’ beloved Amelia Peabody series, and I’d be shocked if Raybourn didn’t count her as an influence. The Speedwell novels are set during the Victorian era, and like Amelia, 25-year-old Veronica is an unconventional woman, an adventurous soul who does not care to live by society’s strictures of how a “proper” lady should behave. She’s been around the world three times, collecting butterflies for wealthy patrons willing to pay a handsome price for a fine specimen. Orphaned at a young age, Veronica was raised by two guardians she referred to as her aunts; when A Curious Beginning opens, the last surviving one, Nell, has just passed away, and Veronica is planning to leave the little village where they had resided for the past three years.
Before she can depart, however, the Baron von Stauffenbach, a man she has never met, turns up at her cottage, warning her that her life is in danger. He insists on taking her to London, where he leaves her in the care of his old friend Stoker, the black sheep of an aristocratic family who works as a taxidermist in a cavernous warehouse. Despite Veronica’s protestations—“I am the least interesting person in England, I assure you. No one could possibly want to harm me”—she soon learns that the reason her guardians kept moving from town to town during her childhood was to protect her from some dark and possibly life-threatening secrets having to do with her parentage.
The growing bond between Veronica and Stoker is at the heart of this series; they grow to depend on one another, and they have a lot of respect for each other’s unique abilities. Will their friendship eventually turn to love? While Veronica finds him attractive, he has a lot of mysteries in his background, and he’s rather dark, brooding and damaged. Plus, having a romantic relationship would go against Veronica’s personal code of conduct: “Although I permitted myself dalliances during my travels, I never engaged in flirtations in England—or with Englishmen… Foreign bachelors were my trophies.”
A Curious Beginning deals with Veronica finding out the truth about her parentage, and the ramifications of what she learned in the first book continue to reverberate in A Perilous Undertaking. So far, I’m about a quarter of the way through A Treacherous Curse, which seems to be taking a deep dive into Stoker’s past. As a bonus for fans of Elizabeth Peters, there’s an Egyptology-related mystery as well.
Whoever you are, anonymous Edgar judges responsible for selecting A Treacherous Curse for this year’s shortlist, I am very grateful to you for introducing me to Veronica Speedwell. Happily, her fourth adventure, A Dangerous Collaboration, is due out next month. Whether or not Raybourn wins the Edgar Award, she has written an eminently prize-worthy series.