“It’s the lack of water here. Makes the whole town crazy.”
So says a character in The Dry, Jane Harper’s mystery set during a seemingly never-ending drought in a remote Australian town. Melbourne federal agent Aaron Falk has stayed away from Kiewarra, where he grew up, for many years, but he is persuaded to come back by the father of his childhood best friend, Luke. It appears that Luke killed his wife and young son in a murder-suicide, and the grieving dad demands Falk’s presence at the funeral.
Of course, Falk soon begins to realize that the small town is a cauldron of secrets, and not everyone is glad to see him again—most residents recall the long-ago death of a 16-year-old girl, and the fact that many in Kiewarra believed Falk to be responsible. He did have an alibi, provided by Luke. But the girl’s outraged father ran the teenaged Falk and his dad (Falk’s mother had died in childbirth) out of town. The man is still alive, and while he appears to be suffering some age-related memory loss, he has not forgotten Falk.
Believing there’s more to the deaths of Luke and his family than meets the eye, Falk begins to investigate, aided by the town’s policeman, Raco. One of the best things about The Dry is that Raco is not the ignorant, territorial small-town local cop too often seen in mysteries; he eagerly accepts Falk’s help, teaming up with him to hunt for clues, and he’s a smart and ambitious officer hoping to use his time in Kiewarra as a stepping stone to bigger and better things.
The Dry really makes you feel the searing heat of southern Australia, a place where the rushing river of Falk’s youth is now completely gone, and the arid land has driven people to commit desperate acts. And don’t just take my word for it; producer and actress Reese Witherspoon, who famously bought the movie rights to Gone Girl before it became a mega-best seller, has made The Dry her latest acquisition.