Making Up is the third book in Lucy Parker’s London Celebrities series, which is set in the world of West End theatre. The heroine of this novel, Trix, also appeared in book #2, Pretty Face, which starred her best friend Lily.
Trix is performing in a musical which also features quite a bit of stunt work and acrobatics (I imagined something akin to “Pippin”) when the female star of the show falls and is injured. As one of her understudies, Trix is asked to step in, at least temporarily. However, a bad relationship with a manipulative man who undermined her confidence has left Trix shaken, and she’s not sure she can adequately perform the more difficult role.
Then there’s the show’s new make-up artist, Leo—a former school classmate of Trix’s, and her one-time crush. Not only is he working with her, but he’s also moved into the house she shares with a few other theater people. Leo and Trix immediately clash, but not surprisingly, there’s some sexual tension as well. I knew that Leo was a good guy as soon as it was revealed that HE HAS A PET HEDGEHOG NAMED REGGIE. At that point I would have proposed to him on the spot.
I really appreciated the fact that the main driver of the story is not “will Leo and Trix ever stop fighting and fall in love?” but “will Trix get her self-confidence back?” I think a lot of Parker’s young female readers will learn some important lessons about not letting a romantic partner damage your self-worth and isolate you from your friends; Leo is very supportive of Trix, but it’s clear that this is her journey, and even a cute boyfriend with a pet hedgehog can’t fix all of her problems.
There’s actually more conflict in the book between Trix and Leo’s sister, Cat, who has just returned from a year in New York and is behaving like a brat. (Full disclosure: Leo was actually hedgehog-sitting Reggie for her while she was in the States, but obviously Cat can’t be reunited with her hedgie until she has worked on her own emotional issues.)
With Making Up, Parker has proven that she’s not just writing to a formula in her books, but creating fully-realized and relatable heroines.