Over the past few years, I have had the misfortune of dealing with a couple of people who I’m pretty certain have narcissistic personality disorder, the subject of Wendy Walker’s new thriller Emma in the Night. These are truly toxic individuals who can ruin the lives of those close to them. For those of us further out in their orbits, the best thing to do is just disengage.
In the novel, Cassandra Tanner is the victim of her mother’s noxious parenting style, which frequently pitted her against her older sister Emma. After her parents’ divorce, 11-year-old Cass made the mistake of asking to live with her father, which sealed her fate: “Don’t ever call me Mother again! To you, I’m Mrs. Martin!” her mom raged. And so Cass “became the outsider… all [she] could do was watch from a distance.”
A few years later, both Emma and Cass disappeared. Until one day, Cass returned alone, recounting how she and Emma had been living on an isolated Maine island with a couple who essentially kept them prisoner. Then Cass drops the bombshell that Emma had been pregnant when they left home, and that she had given birth on the island. The childless couple began to raise the infant as their own, despite Emma’s protestations. Finally, after months of planning and scheming, Cass was able to escape, but unfortunately, she has no idea where the island was located or how to find it. The couple were using fake names. How can she figure out how to get back and save her sister and the child?
First-person chapters narrated by Cass alternate with third-person chapters told from the point of view of Abigail Winter, an FBI agent working on Cass’ case. As it turns out, Abby also grew up with a narcissistic mother, so she identifies deeply with the girl. There are strong hints, however, that Cass is that old thriller standby: the unreliable narrator. Abby needs to figure out which of her tales are true, and which are pure fiction, in order to solve the case and find Emma.
This book should appeal to the many thriller readers out there who love twists, but I found it somewhat hampered by pedestrian prose; Abby’s mind “was spinning… round and round like a dog chasing his tail,” or Cass “just raised the stakes in a game [her mother] didn’t even know she was playing.” Or, “Evil can dress up as love so convincingly that it blinds you to the truth.” That’s not bad writing, just not terribly fresh or insightful. Perhaps it’s more noticeable because a lot of readers (me included) will turn back to the beginning and reread portions of the book once all has been revealed, to see if Walker played fair. I believe she did; the clues are all there, if you look closely enough.