“Dead Man Running” by Steve Hamilton

I have written before of my dislike for “inside the mind of a serial killer” books—those with chapters told from the point of view of a mass murderer. It didn’t take me long to realize that Steve Hamilton’s Dead Man Running was such a book, and had it not been for the fact that I’ve read everything he’s ever written, I would have stopped right there. But this is the first new Alex McKnight novel in five years, so of course I was going to finish it.

This book is extremely different from others in the McKnight series (Dead Man Running is #11). For one thing, the cover seems to indicate that it takes place in the snowy Upper Peninsula of Michigan, where McKnight lives; however, most of the action is set in Arizona and a handful of other non-U.P. locations. And as mentioned above, Alex’s first-person chapters alternate with ones about the serial killer he’s chasing.

The book’s premise is great: the killer is caught, and when he’s taken into custody, he says he’ll only talk to one man: McKnight. The thing is, Alex has no idea who this guy is and why on earth he is asking for him. A couple of FBI agents fly to remote Paradise, MI, to get McKnight and bring him to Arizona. There’s a ticking clock, since the killer says he’s left a woman tied up and alive, and he might be willing to reveal where she is before she dies of thirst.

Once Alex comes face to face with the killer, Martin Livermore, it turns out this mystery man knows almost everything about McKnight, down to his minor-league batting average. Their connection is finally revealed well into the book, and I thought it strained credulity a bit.

Hamilton is indisputably a fine writer who knows how to create high-octane suspense, but Dead Man Running is just not the type of book that I personally enjoy; it doesn’t feel like an Alex McKnight mystery. Instead, it reminded me quite a bit of Red Dragon, the Thomas Harris serial killer novel that scared me silly when I read it as a young adult. As I made my way through Dead Man Running, I found myself having to pause every few chapters and look at cute animals on my favorite Instagram accounts in an effort to wipe the images of graphic violence and brutality out of my mind.

Dead Man Running will be published on Aug. 21. Thanks to G.P. Putnam’s Sons for the advance copy (via NetGalley).

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“Closer Than You Know” by Brad Parks

This week, I decided to take a break from the Sjöwall and Wahlöö series and read some contemporary mysteries. The first book I read was awful and I’m not going to say any more than that because while I don’t know the author personally, the crime fiction world is a small one (though I was gratified to see a bunch of negative reviews on Goodreads). The second one, though, was a winner: the latest stand-alone novel by Brad Parks, Closer Than You Know.

Parks, best known for his six-novel series about New Jersey investigative reporter Carter Ross, chose to write most of Closer in the first-person voice of his female protagonist, Melanie Barrick. Melanie is also a rape survivor and a new mom. This is tricky territory, but I think Parks did a wonderful job of making her a well-rounded, complex character you want to root for. And oh boy, if the reader wasn’t firmly in Melanie’s corner from the get-go, this book would not work at all, because she goes through some truly horrendous experiences.

Melanie discovered she was pregnant shortly after her rape, but until the baby was born, she wasn’t sure if the biological father was her rapist or her boyfriend Ben. No matter what happened, Ben vowed to raise the child as his own, and the two of them got married. Unfortunately, it was immediately obvious that pale-skinned baby Alex did not share any DNA with African-American Ben Barrick, but the couple worked to get past the trauma and immediately bonded with their newborn—until their nightmare began.

After going to pick up three-month-old Alex from day care after work, Melanie learns that he has been taken by social services. Thanks to a tip from an anonymous source, a large quantity of cocaine and drug paraphernalia were discovered in the Barricks’ home—in Alex’s nursery, no less. That turns out to be just the tip of the iceberg, though, as Melanie, who grew up in foster care and has few resources and little financial stability, gets caught in a Kafkaesque bureaucratic hellscape that seems to presume she’s guilty of all manner of horrible things.

Now, I have to admit that I was pretty certain that Melanie would ultimately be exonerated and get her baby back in the end—it would be too depressing otherwise—so I just kept turning the pages (I did not want to put this book down!), eager to find out what would happen. A couple times, I was pretty certain I had it all figured out, but I turned out to be mistaken. There are a lot of legitimately surprising twists, but none of them seemed gratuitous; if the Gone Girl-inspired domestic suspense craze eventually runs its course, I hope there will always be room on the bookstore shelves for thrillers like Closer Than You Know, which are written with heart and genuinely make you care about the fictional people within their pages.

“Need to Know” by Karen Cleveland

I received a free copy of Need to Know by Karen Cleveland in my CrimeFest book bag, and will admit that I was captivated by the clever design of the advance readers’ edition: if you bend the paperback in one direction, the page edges read HE’S YOUR HUSBAND; if you bend it the other way, the letters turn into HE’S A SPY. Cute gimmick, but would the book live up to the packaging?

Cleveland has crafted a twisty thriller about a CIA counterintelligence analyst named Vivian who learns very early on in the book that her husband of 10 years is a Russian spy. She confronts him immediately, and he confesses that instead of all-American Matt Miller, he’s actually Volgograd-born Alexander Lenkov. He courted and married her simply because he was following his Russian masters’ orders, but now, he swears that he really does love her—and their four young children, who complicate everything. Vivian realizes that turning in her husband would wreak havoc on her kids’ lives; her job is demanding and Matt does most of the child-rearing. Perhaps, she thinks, if she can unmask Matt’s handlers, he could escape their grasp, and they could return to a normal life. That is, if she can ever forgive him… or trust him.

Cleveland, a former CIA analyst herself, does a great job of getting into Vivian’s head and making readers experience her feelings of confusion, fear and fierce maternal love. The book is a quick read, and while I’m not a huge fan of spy thrillers, the domestic-suspense aspect was definitely in my wheelhouse. The ending may prove divisive—this would be a good book-club selection, since readers could debate whether they’d make the same decisions Vivian did in the same circumstances. And with all the talk of Russian interference into U.S. politics in the news, it’s certainly a timely novel.

“Force of Nature” by Jane Harper

My friends Janet and Frank own a company that puts on  teambuilding events for corporate clients. These tend to include activities like sandcastle building and assembling kids’ toys to donate to charity. They certainly do not send small groups of people into the Australian bush to face a variety of horrors ranging from venomous snakes, torrential downpours, and a creepy cabin that may have been home to a notorious serial killer.

Jane Harper’s sequel to The Dry brings back Melbourne investigator Aaron Falk, who had been covertly working with Alice, one of the teambuilding participants, to get some inside information on financial malfeasance at her company. When Alice fails to return with the rest of the group, Aaron and his partner Carmen Cooper are called in.

The book alternates chapters told in flashback which show the reader just what happened on the hellish outing with ones describing the investigation. We learn that Alice’s group got lost in the bush, and as the women ran out of food and water, they gradually begin to turn on each other.  Harper’s writing is so vivid that reading about the teambuilding exercise almost becomes uncomfortable; I am someone who prizes comfortable shoes, so the descriptions of one participant hiking for miles in chafing, ill-fitting footwear practically had me rubbing my heels in sympathy. Of course, a few blisters are nothing compared to a snakebite. (Everything in Australia wants to kill you!)

Force of Nature isn’t quite as assured as The Dry, mainly because Harper overloads the book with complications: two of the women on the trip are identical twins with a fraught relationship; two other women, including Alice, have troubled teenage daughters; Falk’s partner Carmen is engaged to be married, but there’s some bubbling sexual tension between the two agents. Then there’s the long-dead (or is he?) serial killer. The Dry benefited from its focus on Falk and his backstory, while Force of Nature feels a little more scattered, as if Harper kept coming up with ideas and just decided to throw them all into the mix. Still, she does very well at building suspense, and Falk is a likable and sympathetic character. Chances are that anyone who reads Force of Nature will run the other way if their company ever tries to send them on an Outward Bound-type retreat.

“The Woman in the Window” by A.J. Finn

There’s a great Twitter account called CrimeFictionTrope which satirizes trends in mystery publishing. Sample Tweets: “I can’t believe, after that whirlwind weekend courtship, that my husband is not who I thought he was.” “I applied to be a cop. But was disqualified because I’m not divorced with a teenage daughter I adore but rarely see.” “In my new thriller, a sexy heiress with amnesia almost struggles to escape a serial killer with amnesia. The title: THE GIRL WHO AM I.”

The anonymous writer behind CrimeFictionTrope has Tweeted quite a few times about The Woman in the Window, which seems to tick all of the post-Gone Girl suspense thriller boxes: A damaged, unreliable, alcoholic narrator! Rich white people in New York City! A mysterious trauma that you don’t learn the details of until 3/4 of the way through the book!

A.J. Finn, the nom de plume of William Morrow vice president Dan Mallory, obviously succeeded in his attempt at writing a highly commercial book, since it’s #1 on the New York Times hardcover list this week. (“There is no doubt worth in the kind of writing that only 12 people will appreciate, but I don’t consider that the best use of my time,” he told The Guardian.) I keep telling myself that I’m going to stop reading so many twisty thrillers, which are the literary equivalent of M&Ms, but I was stuck in bed with a cold and I desperately needed a fun, easy read. Suffice it to say that I finished The Woman in the Window in a single afternoon, but I’ll admit that CrimeFictionTrope lurked in the back of my mind the entire time.

Our Unreliable Narrator is Dr. Anna Fox, a child psychologist who has lived like a recluse in her four-story Harlem townhouse (real estate porn alert!) for the past year, due to her PTSD from the event that is fully explained… eventually. She’s on all sorts of psychiatric drugs, but she also drinks Merlot by the gallon. Her hobbies are playing chess online, watching black & white movies, and spying on her neighbors. In a nod to “Rear Window,” she believes she witnesses a murder—but of course no one takes her seriously.

“I shy and shrink from the light, and a woman is stabbed across the park, and no one notices, no one knows. Except me—me, swollen with booze, parted from her family… A freak to the neighbors. A joke to the cops… A shut-in. No hero. No sleuth.”

So much alcohol is consumed in this book that I started feeling a little woozy myself, and I was drinking nothing harder than herbal tea. If you’re looking for the midwinter equivalent of a beach book, or something to keep you occupied on a long flight or a sick day, The Woman in the Window is here for you; the calories are as empty as those in a bottle of wine, but it does go down smooth.

“If I Die Tonight” by Alison Gaylin

Small-town gossip has been a popular subject in books for decades now—see Peyton Place for one notorious example—but today, social media means that everyone in town has instant access to word-of-mouth whispers. Alison Gaylin’s If I Die Tonight, which deals with the death of a teenager and the swirl of rumor and innuendo that follows in the wake of that tragedy, feels very of-the-moment; she makes it clear that it’s not just the kids who are on Facebook. The parents are there, too.

Liam Miller, a high school football star in the Hudson Valley town of Havenkill, NY, died a hero, according to the local grapevine: he was killed while trying to prevent a carjacking. Of course, if a story has a hero, it also needs a villain, and that role is filled by troubled teen Wade Reed. He fits the (admittedly vague) description of the assailant, and other bits of circumstantial evidence ensure that many people in Havenkill are determined to blame him for Liam’s death.

Wade’s mom, Jackie, is struggling to raise him along with his younger brother Connor, despite the fact that the boys’ father is no longer in the picture—her attorney ex-husband pays child support but is otherwise not involved in his sons’ lives, choosing to spend time with his new family, including his younger second wife. Jackie is a real estate agent, a business which requires her to maintain a squeaky-clean reputation locally; the accusations being hurled at Wade endanger her ability to make a living.

If I Die Tonight also features several secondary characters, including a has-been ’80s pop star named Aimee En (the carjack victim) and Havenkill police officer Pearl Maze. I must admit that I rolled my eyes a bit as Gaylin rolled out the details of Pearl’s tragic past, which has caused her to fall into a life of one-night stands with guys she meets on hook-up apps. Jackie just felt like a more realistic, well-rounded character, and her up-and-down relationship with her two adolescent sons felt very true-to-life.

I’d classify this book as a thriller, but it’s not as over-the-top twisty as other books in the genre. The trial-by-social-media aspect of If I Die Tonight seemed scarily plausible, and will no doubt resonate with anyone struggling to parent teens in today’s brave new world.

If I Die Tonight will be published in the U.S. on March 6 (it was released in the U.K. in August of last year). Thanks to Janet Rudolph of Mystery Readers International for the advance copy.

“Origin” by Dan Brown

It’s a little embarrassing to come out of the closet as a Dan Brown fan. Most of my bookish friends disdain his pedestrian prose, flagrant overuse of italics and cardboard characters. Even legendary Hollywood nice guy Tom Hanks, who has starred in no less than three films based on Brown’s books, threw shade at the author in a recent New York Times By the Book column:

Q: Which genres do you avoid?
A: Novels of murder and conspiracy.

Sick burn, dude!!

Considering that Inferno (the most recent Brown film adaptation) tanked at the box office, my guess is that Hanks will not be making a return appearance as Robert Langdon, so he can go ahead and talk smack about the best-selling series. But here is why I read Brown’s books:

1. The European settings. Brown is like a Rick Steves for literary thrill-seekers. I always have to read his books with my phone at hand so I can look up photos of all the places he references. In Origin, set in Spain (a country I have, unfortunately, never visited), they include the Sagrada Família, Guggenheim Bilbao, Valle de los Caídos, El Escorial’s Pantheon of the Kings and Casa Milà.

2. Conspiracies and secret societies. Unlike Hanks, I love ’em. The designated bad guys in Origin are members of the Palmarian Church, a bizarre and apocalyptic offshoot of Catholicism with its own pope and saints. There are also hints of wrongdoing in the upper echelons of Spain’s royal family, headed by a dying king who is close to a very conservative bishop.

3. Puzzles. Langdon is a professor of symbology, and every book requires him to solve numerous brain-teasers in order to get to the bottom of whatever enormous conspiracy he’s delving into (always in the company, of course, of an insanely smart and gorgeous woman—in this case, Ambra Vidal, director of the Guggenheim Bilbao in Brown’s fictional world; the real-life director is this sixtysomething Spanish dude). Incidentally, I discovered a coded message in the jacket copy of Origin; fun!

4. Page-turning factor. I always race through these books, and one reason is that Brown knows how to hook you. One of his clever tricks: end a chapter with a huge cliffhanger, but then don’t resolve it until a few chapters down the road. You’ll keep reading because you’ve got to find out what happens!

Origin kicks off as Edmond Kirsch, a genius billionaire inventor/futurist who is depicted as a combination of Steve Jobs, Stephen Hawking and Elon Musk, is about to make a presentation at the Guggenheim Bilbao that will change the world. Since he’s such a secretive and eccentric guy, no one in the room knows what he’s going to say—and his entire presentation is on a password-protected server. Naturally, he’s assassinated just as he’s about to type in the password. Langdon, Kirsch’s friend and former professor, puts his own life at risk in order to track the killer and access the presentation. Besides the beautiful Ambra, who also happens to be the fiancée of the crown prince of Spain, Langdon is assisted by Winston, an artificial intelligence bot invented by Kirsch. (Not surprisingly, Winston is perhaps the most intriguing and fully-realized character in the book.)

The problem with having a book revolve around a message that is so profound and significant that it will impact everybody on the planet is that eventually, you have to produce said message, and I’m not sure that Kirsch’s presentation would actually cause religious leaders to throw in the towel because “oh well, we’re irrelevant now.” Events of the last year or two have made an Age of Reason seem farther away than ever. Brown seems like something of a techno-utopian atheist, and the acknowledgments section of Origin gives thanks to a long list of scientists and thinkers. There are plenty of Big Ideas to grapple with in Origin, but mostly, it works as an entertaining travelogue-thriller.