“Blue Moon” by Lee Child

Whenever Jack Reacher steps off a Greyhound bus, mayhem is sure to follow, and that is certainly the case in Blue Moon, the 25th novel in the series. A fellow passenger, an elderly man with a thick envelope in his jacket pocket, catches Reacher’s eye. Then he notices another rider, a young man, staring hungrily at the envelope. So when the elderly man gets off the bus, followed by the younger man, Reacher decides to disembark too, figuring he may needed to foil a mugging.

That’s exactly what happens, and Reacher finds out that the elderly man needed that cash in order to pay off a loan shark. The unnamed city he lives in is controlled by the Eastern European mob, which has neatly divided the territory into two equal parts: “The west of the city was run by Ukrainians. The east was run by Albanians. The demarcation line between them was gerrymandered as tight as a congressional district.”

The arrangement may work for the mobsters, but it’s making a lot of other people in town miserable. But can Reacher take on two well-armed organized crime factions all by himself and live to tell the tale? If your answer to that question is “No way, that’s insane!” then you’ve obviously never read a Lee Child novel before.

Reacher does team up with a handful of locals, including a beautiful waitress, but Reacher himself is always at the center of things, and Blue Moon’s body count ultimately reaches stratospheric levels, to the point where it becomes mordantly comical. It’s always fun to see how Reacher manages to get himself out of a jam, but in this case, the answer is usually “grab a gun from a bad guy and kill a whole bunch of people.” If this Grand Guignol adventure is ever filmed for Amazon’s upcoming Reacher series, the fake-blood budget will be off the charts. All in all, I greatly preferred the previous novel in the series, Past Tense; this one is for Reacher completists only.

“The Warehouse” by Rob Hart

The first thing I saw when I opened The Warehouse was the dedication: “For Maria Fernandes.” As a rule, I don’t pay a lot of attention to dedications in books, unless I happen to recognize the name of the dedicatee. In this case, I did not; I assumed it was a friend or relative of the author, turned the page, and didn’t think anything else of it.

Until, that is, I finished the book and read the acknowledgments section. The final paragraph explains who Maria Fernandes is and why the book is dedicated to her, and at that point it all makes sense and has an unexpectedly powerful impact. (If you read the book—and you should—I urge you not to skip ahead; I guarantee that The Warehouse is such an exciting novel that you’ll be completely caught up in it.)

The Warehouse takes place a few decades from now. Global warming has taken its toll, and we learn that something called the Black Friday Massacres caused virtually all brick & mortar retailers in the U.S. to close. What’s left is Cloud: a sort of Amazon.com on steroids. All of their products are delivered by drone. The company employs a huge segment of the American populace and houses them in live-work facilities. The employees wear color-coded shirts depending on what job they are assigned, and are paid in credits, which they can use for everything from delicious CloudBurgers to an extra five minutes in their morning shower. CloudBand bracelets keep track of where the employees are, what they’re supposed to be doing at any given moment when they’re on the job, and stores their credits.

As the book begins, we meet two new employees: Paxton, a former prison security guard who quit his job in order to form his own company, which was a success until Cloud gradually forced him to tighten his margins, forcing him out of business (a story no doubt inspired by the real-life facts in the 2003 Fast Company piece “The WalMart You Don’t Know”); and Zinnia, the code name adopted by a corporate spy who’s been hired to gain some inside information on Cloud. Because of his prior occupation, Paxton is assigned to security at Cloud. He takes an immediate fancy to Zinnia, and she decides a man in his position could be of use. Paxton is genuinely head over heels, while Zinnia is trying to figure out how she can fulfill what is an insanely difficult mission, considering the surveillance culture of Cloud.

Zinnia and Paxton’s stories are interspersed with blog entries written by the terminally ill billionaire founder of Cloud, Gibson Wells, who plans to reveal the identity of his hand-picked successor while on a final journey to visit as many Cloud locations as possible. Wells adopts a folksy “we’re all family” tone, but it’s clear to the reader that what he has accomplished is the ultimate goal of many corporate titans in the U.S.: privatizing absolutely everything, from education to the FAA. (There’s no mention made of who the president of the country is, but whoever it is, he or she probably has a good deal less power than Gibson Wells.) The mandatory live/work aspect of employment at Cloud also ensures that they control every facet of their workers’ lives.

As Wells prepares to visit Zinnia and Paxton’s facility, the novel continues to reach new heights of suspense as our two protagonists get ready for the big day in very different ways. This is not a particularly optimistic story, but it is one that will make readers consider where we’re headed and whether or not we want to hand corporations the power granted to Cloud, which makes even Microsoft and WalMart look like small potatoes.

“The Liar’s Girl” by Catherine Ryan Howard

The Liar’s Girl is another 2019 Best Novel Edgar nominee, and another one I may not have picked up otherwise. The jacket copy begins: “Will Hurley was an attractive, charming, and impressive student at Dublin’s elite St. John’s College—and Ireland’s most prolific serial killer.” Usually the words “serial killer” make a book an automatic “nope!” for me, but The Liar’s Girl takes that trope and gives it a far more interesting spin.

The novel focuses on Alison Smith, a young woman who left her sleepy hometown of Cork behind to attend St. John’s College, along with her best friend, Liz. During her freshman year, Alison meets Will Hurley, and falls madly in love: “I’d never felt that way about any other person. It was like the world had been dim and flat and now suddenly it was in Technicolor 3-D.” Liz often seems like a (resentful) third wheel in their relationship, but everything is fine until girls at their college start winding up dead, drowned in the Grand Canal near campus. Then Liz becomes a victim, Will is arrested, and all hell breaks loose.

Alison drops out of school, moves to the Netherlands and tries to recover from the unbelievable trauma of finding out that your boyfriend killed your best friend and a bunch of other women as well. Ten years later, with Will still behind bars, female St. John’s students once again start turning up dead in the canal. An Irish policeman arrives on her doorstep one day, telling Alison that Will claims to have information about the new spate of murders, but he will only share it with her. So she goes back to Ireland for the first time in a decade, and is forced to confront her past.

The Liar’s Girl is a genuine page-turner, which is probably why it scored that Edgar nomination—if you’re a fan of thrillers, this is the type of book which will keep you up late until every last question has been answered. My main caveat is that the book does contain “inside the mind of the serial killer” chapters (something I’m never a fan of; can’t we just assume they’re terrible people and keep them at arm’s length, instead of trying to discern a psychological motive for their killings?). Other than those parts, though, I did enjoy reading this book.

“Past Tense” by Lee Child

After reading 2015’s truly disturbing Make Me, I kind of swore off Lee Child for a while, as it struck me as more horror than thriller. But then I saw Past Tense on the new-books shelf at the library, and decided to give it a whirl.

Like Make Me, Past Tense has Jack Reacher impulsively stopping in a small town, in this case Laconia, New Hampshire. “A name Reacher knew. He had seen it on all kinds of historic family paperwork, and he had heard it mentioned from time to time. It was his late father’s place of birth, and where he was raised, until he escaped at age seventeen to join the Marines… But he never went back.”

At this point, anyone who’s read a Jack Reacher novel (this is #24 in the series) knows that small towns in Lee Child novels are always places where bad, bad things are going on, and Reacher will wind up having to save the day, kicking lots of ass in the process. In Past Tense, we get a parallel story about a young Canadian couple on their way to New York with a mysterious suitcase. Their car breaks down near a motel a few miles outside of Laconia. But it’s not a Motel 6, and they’re not going to leave the light on for you.

It’s clear that the Reacher-in-Laconia storyline and one with the Canadians stuck at the creepiest lodging since the Bates Motel are eventually going to intersect. Pleasantly, the Canadians, especially the female, are resourceful, and not sitting ducks for whatever the sinister innkeepers have in store for them.

Getting a glimpse into Reacher’s past is always interesting, and the book subverts expectations a bit by not having him have a fling with the female cop in Laconia; the Canadian woman, Patty, fills the traditional “strong woman” role in this book. (One of the reasons Child has so many female fans is undoubtedly because women are portrayed as powerful in their own right, even if they don’t possess hands the size of Thanksgiving turkeys.) This is an enjoyable read that delivers everything Reacher fans have come to expect when they pick up a Lee Child novel, with just the right amount of suspense and action.

“The Last Act” by Brad Parks

A thriller featuring a protagonist who is a musical-theater star? Are you kidding me?! Since crime fiction and theater are two of my favorite things, I am definitely in the target audience for The Last Act. “I swear, the moment lasted longer than ‘City on Fire’/ ‘Final Sequence’ from Sweeney Todd—and that’s a thirteen-minute song” is a typical Tommy Jump quip. Tommy is the Tony-nominated star of the “short-lived but critically acclaimed” Broadway tuner Cherokee Purples, “a show about a family who had left the rat race in order to farm and sell the ultimate organic heirloom tomato.”

Unfortunately, Tommy, now in his late 20s, finds himself in an awkward stage: too old for kid roles, too short to be a leading man. He has decided that a summer-stock production of Man of La Mancha will be his swan song; he’s going to quit acting, maybe get a gig as assistant managing director of a regional theater in Arkansas. Until he gets an offer for a really big role.

A childhood pal of Tommy’s is now an FBI agent on the trail of a Mexican drug cartel. The one guy who has the evidence to bring down the cartel leader is an inmate in a minimum-security, “Club Fed” prison. Tommy will be given a new identity, then he’ll plead guilty to a crime in order to be sentenced to prison, befriend the inmate, and manage to convince him to reveal the location of a valuable stash of documents. He’ll be behind bars for no more than six months, and he’ll get $150,000 for his trouble, with more cash to follow if the information leads to an indictment.

At this point, I was practically shrieking “TOMMY, THIS IS A TERRIBLE IDEA!” at the book, but of course, the actor—who has a pregnant girlfriend—figures the money would give his new family a great start, and says he’ll do it. Needless to say, complications ensue.

I absolutely loved Parks’ last book, Closer Than You Know, and while of course I don’t want to reveal too much about the outcome of The Last Act, one of the reasons I enjoy Parks’ thrillers so much is that it’s obvious that the author really loves his characters. So I always know in the back of my mind that things will turn out OK, and I find that enormously comforting. Parks writes about nice people who go through hell and are able to use their wits to prevail in the end. There are lots of twists along the way, plus an obviously well-researched and engrossing look at day-to-day life in a minimum-security prison. This is a terrifically entertaining book.

Thanks to Dutton/Penguin Random House for sending me a copy of The Last Act! It’ll be published on March 12.

“House Witness” by Mike Lawson

This week, I read another Edgar-nominated book: House Witness by Mike Lawson, part of his Joe DeMarco series. This is book #12, and looking at the covers on his website, it’s not too surprising that I have never read any of these novels before: they all have sort of generic “political thriller” book jackets, and that’s not a genre I tend to seek out. (I’m usually trying to avoid thinking about politics.)

However, I was pleasantly surprised by House Witness. The plot moves at lightning speed; it’s almost impossible to stop turning the pages. (This is another one of those books that kept me up past my bedtime.)

The protagonist, DeMarco, works as a “fixer” for a powerful Democratic Congressman named John Mahoney. As the novel opens, Rep. Mahoney has just learned that his illegitimate son—a man he’d never met—has been killed, shot to death in a Manhattan bar. The man’s mother, Connie DiNunzio, is a career bureaucrat in Albany, who became “a major player in the backstabbing, bare-knuckles world of New York state politics” after her long-ago fling with Mahoney.

The man who pulled the trigger, Toby Rosenthal, happens to be a spoiled rich kid whose dad is willing to spend any amount of money to keep his son out of prison. DeMarco’s assignment: make sure Toby goes to jail for what he did.

At first, it looks like a slam dunk, since there are at least five witnesses who got a good look at Toby shooting Dominic DiNunzio. But Henry Rosenthal, a corporate lawyer, has the means to hire one of the city’s top criminal defense attorneys to defend his son. And when that attorney realizes that keeping Toby out of prison is by no means a sure thing, he decides to get a little extra-legal help from a specialist who has been known to get very rich people out of sticky situations.

So House Witness turns into a story of fixer vs. fixer, with DeMarco trying to discover why the once-airtight case against Toby Rosenthal is going down the drain. Rep. Mahoney is keeping the pressure on, so DeMarco has to figure out how to outsmart a seemingly invincible, invisible opponent.

The only thing I found a little annoying about Lawson’s otherwise unimpeachable prose was his tendency to occasionally drop in little “had-I-but-known” asides, like “Dent had no idea at the time that Rachel Quinn’s owning a dog would turn out to be important,” or “Slade had no way to know then that in the end, everything would almost unravel thanks to a middle-aged secretary.” Still, that’s a small quibble. This is an entertaining and well-crafted thriller.

“The Suspect” by Fiona Barton

It’s every parent’s worst nightmare: their teenager is thousands of miles away, and unreachable. Her Facebook and Instagram are no longer being updated; she’s not answering her phone.

This is the terrifying situation faced by two mothers in The Suspect, Fiona Barton’s third novel featuring journalist Kate Waters. (I reviewed the first book in the series, The Widow, a couple of years ago.) Lesley O’Connor’s 18-year-old daughter Alexandra traveled to Bangkok, Thailand, with her friend Rosie Shaw, promising to phone home on the day her eagerly-awaited A-Level results came out. When the day passes with no word from Alex, Lesley reports her missing.

The disappearance soon becomes national news, which brings Kate into the story. Her son, Jake, is also in Thailand, living in Phuket. While he’s older than the girls, it’s concerning to Kate that he’s not been in more frequent touch: “There’ve been three e-mails, but our eldest son told us early on that he wouldn’t be contactable by phone. Said he was freeing himself of all the stress that constant calls would bring.”

Kate follows the story to Thailand, hoping to perhaps pick up some clues to exactly what Jake’s been up to while she’s investigating the girls’ disappearance. In a flashback, we learn early on in the book that level-headed Alexandra and free-spirited Rosie were at odds even before their plane touched down in Bangkok (“Rosie had had three glasses of wine with her hideous airline meal—’The chicken or the pasta?’—and Alex had warned her she’d get dehydrated. Her friend had rolled her eyes and made a big show of flirting with the man in the next seat before falling asleep and snoring gently.”). Alex had been hoping to see the sights, while Rosie’s main interests included partying and boys.

The Widow was fairly bleak, dealing with some pretty unsavory themes, and The Suspect isn’t exactly a feel-good novel either. (Any parent whose kid is angling for a gap year in Thailand will probably refuse to let them go near the place without a sober coach and an armed escort in tow after they’ve read this book.) Barton, a former journalist and editor at major U.K. newspapers, writes with authenticity about how Kate must insinuate herself into the mothers’ lives in order to scoop her rivals. The story is told from multiple points of view (including the police), but I always looked forward to returning to Kate’s first-person chapters, since her straightforward, authoritative yet compassionate voice is the best thing about this series.

The Suspect will be published on Jan. 22, 2019. Thanks to Berkley Books for the advance copy (via NetGalley).